Last of the
six prints in the Z.E.E.P. suite is Human
Fate and World Power:
I find this
one very forward-looking. As the
twentieth century drew to its conclusion, society radically – and quickly -
changed, became fragmentary, as mass communications media and easily
facilitated transportation eroded mono-cultural societies.
And notice
that in the blue background field two of the things – the car and the aeroplane
- that have hastened the fragmentation of human experience are themselves
rendered as fragments.
Symbolising
the ‘old’ model of the world, the Fitch vault key looks a bit pathetic – will such
simple technology continue to enable the safekeeping/security of people, ideas,
culture, information in the new world?
Clearly not. Indeed by the twenty
first century we will have laws forcing authorities to release information that
previously was so closely guarded.
A parrot can
speak and imitate human vocalisation, but – like a computer – not know why it’s
doing it - discuss.
More of the
day, rockets, submarines and fighter planes, (even comical ones), were
reasonable images to portray the currency required for world power – how different
today in the context of asymmetrical combat and the notion of ‘war on terror’.
The Sixties
and the Seventies were decades when human fate did seem to rest on the
machinations of a ‘cold war’ between two world superpowers – the U.S. and the
U.S.S.R. Looking back they now appeal,
ironically, as settled times – it was basically a stalemate and a related
conflict, which would indeed decide the fate of the human race, was always
unlikely. How different today.
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