This is the first of the signed prints, #480 in the total Editions Alecto catalogue.
I imagine that this composition was prompted by the general look of mainframe cabinets in the Sixties- as in this ’64 Univac set-up:
Paolozzi’s skill is readily evident in the way in which the two upper circles – tape reels? – have the look/feel of rotating objects. I take the collection of shapes in the left hand circle to be analogous to a variety of stored data objects.
The lower, rectilinear sections of the print also embody an uncanny kinetic effect with the suggestion of multiple, winking mini-lamps and larger panels of light coming and going, as information is processed.
Paolozzi’s fascination with computer technology is apparent here as it was in Universal Electronic Vacuum. Although it’s often said that Paolozzi became less enamoured of the US and its culture of the mid-Sixties, he encountered inspirational technologies there which were not yet prevalent in England.